Showing posts with label mpc. Show all posts
Showing posts with label mpc. Show all posts

Friday, November 20, 2015

The Hunger Games: Mockingjay Part 2

Incredible vfx by Double Negative, MPC, The Embassy and Lola VFX in the last installment of The Hunger Games. Mocking Jay Part 2 is in theaters today!


Friday, April 17, 2015

The Future of 4 On Demand

Is this the future of television? Take a look at what the MPC team spent over 12 weeks creating - the spot for All4: The Future of 4 On Demand, Channel 4’s new digital service.

 
 
TNG North American Locations
 
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Tuesday, March 24, 2015

How the VFX for 'Cinderella' Were Brought to Life

MPC created hundreds of amazing ‪#‎visualeffects‬ for ‪#‎Cinderella‬, including the classic transformation of a pumpkin into a beautiful, functional carriage. Check out how they did it.

Originally posted in The Hollywood Reporter



 
TNG North American Locations
 
 
 
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Tuesday, December 23, 2014

VFX Q&A: Night at the Museum: Secret of the Tomb

Cinefex Magazine talks to four of the visual effects vendors — Cinesite, Digital Domain, Method Studios and MPC — about their work on #NightattheMuseum: #SecretoftheTomb. See original article here.

 
 
TNG North American Locations
 
 
 
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Tuesday, June 24, 2014

MPC wins only VFX Gold Lion awarded Cannes 2014

MPC was the only studio to win Gold in the VFX category for Assassin's Creed IV Black Flag: Defy at Cannes Lions 2014.
 
 
 
 
 TNG North American Locations
 
 
 
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Tuesday, March 25, 2014

Inside the battles of 300: Rise of an Empire by Ian Failes

Click here to take a look behind the scenes of 300: Rise of an Empire with the vfx supervisors, Scanline, MPC, Cinesite, Third Floor, Halon and Gener8.













 




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Wednesday, March 12, 2014

Hear Godzilla’s roar! Vancouver VFX mania lives on in upcoming blockbusters

MPC has been working on a lot of films that will be released in the following months. Take a look at what's been going on in Vancouver. Click here to read the full article that posted on VancouverSun.com.

MPC_Vancouver 





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